The Advantages Of An Articulating LCD Screen On A Digital Camera
Lawren here again.
Today I’d like to talk just a little bit about one of my favorite features on a digital camera – the articulating LCD screen – in fact I will not buy one without this feature.
If you were to ask me what my favorite advance in photography in the past few years was, I wouldn’t say photo editing, increased megapixels, or even DSLR’s. I would tell you about my articulating lcd screen (also called a “flip out and twist” screen), and I’d probably go on about it for another 10 minutes.
Not only is my lcd screen protected when I’m not using it (it’s folded into the body of the camera), but I can take pictures from almost any angle with out having to leave the framing to blind faith. This way, even if you don’t have an external flash, you can still bounce it and see what you’re shooting at the same time.
My dad’s favorite part is the great candid shots you can get. Who would suspect you’re taking a picture when your camera is sitting in your lap or on the table. You can get great realistic shots without posing or camera shyness. If you get really good, you can even take pictures of someone standing behind you!
While it’s a piece of cake to find a video camera with an articulating LCD screen (it comes on virtually all consumer models), for some reason an articulating screen is harder to find on digital cameras, and just because the previous model of a camera had one doesn’t necessarily mean it’s next version will.
Case In Point. The Canon Powershot G7. While it’s predecessors (dating back to the Powershot G1) all had articulating LCD screens, Canon didn’t include on in its most recent release with the G7.
So here’s a list of digital cameras with articulating LCD screens. You’ll notice a lot of Canon cameras in the list, and they do certainly make more flip out and twist LCD screens than any other manufacturer, but they’re not the only one. I tried to cover all the current models in this release, but its likely I missed some. If that’s the case, then please post any corrections or omissions in the comments below.
Canon Powershot G1, G2, G3, G4, G5, G6.
Nikon Coolpix 5000, 5400, 8400, 5700, 8700, 8800.
Canon Powershot S1 IS, S2 IS, S3 IS, S4 IS, S5 IS,
Konica Minolta DiMAGE A200
Canon Powershot A80
Pentax Optio 750Z
Panasonic Lumix DMC-FZ50K (one of the best higher end cameras with this feature)
Canon Powershot A640, A650 IS
Sony Cyber-shot DSC-H9 (flip out only, no twist)
Using All Your Digital Camera’s Settings
You Already Have the Features; Now Use Them
Experiment with camera settings. If you have a fairly new digital camera, it probably has a lot of settings on it and there’s a good chance you haven’t used half of them. Try some experiments using different settings or blow the dust off that owner’s manual and take a peek. My personal favorite is the vivid setting, which produces more vibrant colors. I use it for all my flower pictures to capture great colorful shots.
I’ve written a guide about some of the more common shooting modes you’ll want to experiment with.
How To Sell Your Pictures As Stock Photography
I love taking pictures. I just can’t get enough. The more pictures I take the better I want to get. This also means that the more pictures I take; the more high quality equipment I want. It’s an addiction. Many photography hobbyists have the same problem I do. If you don’t want to pour all your money into your photography hobby, there is another option. You can turn that photography hobby into a successful photography business. A great way to get started doing this is by selling stock photography. Businesses all over are looking for pictures to use in brochures, websites, advertisements, and more (even this site uses stock photography from time to time). These businesses will happily pay for your pictures rather than hire a photographer to take pictures for them. Here are some tips on how to get started on making money from your photography.
The first thing you need to do to start your stock photography business is to decide if you want to sell your pictures on micro or macro stock photography sites. Micro stock sites (ie. istock, dreamstime, and shutterstock) operate on the premise that if you offer photography at a low price, you’ll get more sales (which they do). These sites sell pictures for as low as a dollar for small sizes, up to ten or twenty dollars for a large copy of your picture. They also offer other options like allowing prints, and exclusive license (they pay you a lot more but you can no longer sell the picture to anyone else). Photographers get a percentage of the sale, which can vary from 20 to 80 percent of the sale price. Many photographers don’t like these sites because they sell photography for much less than they feel it’s worth, but many small businesses rely on them for affordable stock pictures. The other option is macro stock photography (ie Alamy and MyLoupe).
You will probably sell A LOT fewer pictures on macro stock sites, but on these sites you make significantly more per picture, usually around $250 per photo (as opposed to the 60 cents I made off my first micro sale). Most of these sites will only accept pictures with over 6MP, but if your camera has fewer pixels, you can learn to upsize your photo in an editing program. While it is your own choice which route to take, many photographers start out on micro sites and then start moving their best pictures over to macro photography sites as their skills improve. You should note that some macro sites will not do business with photographers who sell their work on micro sites, so be sure to check their policies before uploading.
Most stock photographers use Digital SLR cameras, and if you decide to go the DSLR route even the entry level digital SLRs will do the job. However, you don’t even need to spend that much if you’re new to selling your photos. You could get started with a Canon Powershot A650 IS (which has a nifty articulating LCD screen for taking tough shots) or a Panasonic Lumix DMC-FZ50 both of which are known for taking great pictures but are far more budget friendly than their SLR counterparts.
Once you’ve started uploading pictures, you need to remember not to stop. The more pictures you have online, the more sales you will make. Most sites have uploading limits and if you can, you should try to put up as many pictures as you are allowed. You should also put your pictures on as many sites as possible. Many people have their favorite stock site and only look for pictures there. This means you can put shots up on multiple sites; although many sites will guarantee you a higher percentage if you decide to upload a picture to their site exclusively. I would try not to overlap picture on macro and micro sites since someone probably wont pay $300 for a picture they can get for $1.
The next key to becoming a top seller is to take pictures with content that sells. Whatever you’re subject is, you will almost assuredly sell more pictures if the background is a solid color. Black and white are the best, but any solid color will work. Generally people want a subject without a background. If the background is a solid color, it’s much easier to remove with an editing program. Keep the solid background (bright white is preferable) when working in a controlled environment, and when you can’t control what’s in the background, you can always use a program like Photoshop to isolate your subject. An isolated subject on a white background typically sells anywhere from 2-10 times better than a subject on a complicated background.
If you want to know what subjects sell best, most sites have a section where you can see their most popular downloads. Just remember to get inspiration from these photographs, don’t copy them. If all else fails, you can never go wrong with pictures of people. You will need to get releases signed ahead of time for pictures of people with recognizable faces and also of recognizable property.
Hopefully these tips will help you get started making money with your photography. Just remember that, just like getting the perfect shot, starting your business takes time. You just need to work hard and not give up, no matter how slowly it starts. Many people started out slowly and are now making enough on stock photography sites to take photographs full time.
Of course, these tips are really just the tip of the iceberg. If you really want learn how to make money with your digital camera, then I’d recommend you take a look at the Camera Dollars System – they’ll teach you how to profitably make money taking pictures – and there system is a lot more in depth than I can cover in a blog post.
The 22 Megapixel Medium Format Digital Camera For Under $10,000
For those of you looking for a medium format digital camera, the entry level price of one of these cameras has dropped substantially with the introduction of the Mamiya 645AFD II Medium Format Camera.
Here’s what their press release has to say about the new camera:
Elmsford NY – Mamiya Digital announced an exciting new product – the Mamiya ZD 645AFD II Digital System. The System consists of the Mamiya 645AFD II Medium Format Camera with 80mm f/2.8 AF lens and the newly introduced Mamiya ZD 22 Megapixel Digital Back. At a retail price of $9,999, the digital system marks a new era in the high-end digital market.
“Mamiya has always been a manufacturer of high quality, professional products at reasonable prices,” states Jeff Karp, Mamiya Product Marketing Manager, “By offering this incredible system for under $10,000, we expect to see a broad range of photographers who have been waiting for the right combination of quality and price, to finally step into the medium format digital world.”
The platform for the system is the highly acclaimed Mamiya 645AFD II autofocus medium format camera with 80mm f/2.8 AF lens. With an excellent range of high quality lenses, precise auto-focusing and fast handling, the 645AFD II has become the choice of professional photographers.
The Mamiya ZD Digital Back offers all the features serious photographers demand. “Mamiya’s communication protocol MSCE (Mamiya Serial Communication for External) has optimized two-way communication between the 645AFD II and the ZD Digital Back,” says Karp, “producing an operating experience identical to using a one-piece digital camera.”
To further enhance the results of the ZD Digital Back, Mamiya is including Adobe® Photoshop® LightroomTM software with all ZD Backs. Mamiya is the first camera manufacturer to include Lightroom software with every Mamiya ZD Digital Back sold. Lightroom is an all-new digital imaging solution for serious and professional photographers. Its ease of operation and ability to read Mamiya RAW digital files makes it the perfect choice for photographers looking for a modular, task-based and streamlined program that delivers a complete photographic workflow solution.
Also introduced were two new digital lenses – the Mamiya Sekor AF 75-150mm f/4.5 D and a full-frame 28mm f/4.5 D Aspherical – that are designed to work on the 645AFD II with both film and digital backs.